Monday, September 18, 2017

D&D 5E: Wolven in the Age of Strife

Work on my 5E edition of Keepers of Lingusia is coming along (slowly) but here's a recent entry:

The Vyrkasha Wolven (beastmen)
CR 1/2 (50 XP)
LN medium humanoid (wolven)
Initiative +2
AC 15 (studded leather, shield)
HP 9 (2D8)
Speed 30 feet (40 feet when running on all fours).
Multiattack wolven may make one bit and one scimitar attack per round
Melee Attack bite +3 attack (one target, reach 5’), 1D4+1 piercing damage
Melee Attack scimitar +3 attack (one target, reach 5’), 1D6+1 slashing damage
Ranged Attack long bow +4 attack (one target, ranged), 1D8+2 piercing damage
STR 12 (+1), DEX 14 (+2), CON 11 (+0), INT 11 (0), WIS 12 (+1), CHA 10 (0)
Languages: common, wolven
Senses: scent, darkvision
Skills: Intimidation +3, Perception +3, Survival +3
Scent: Wolven are gifted with exceptional noses and this grants them advantage on any roll to track or detect a target in which scent could play a role. The target could be up to a week old and the wolven would still gain this tracking benefit; if the target is more than a week old, or recent rains have eliminated evidence of the scent then the advantage may disappear (at GM’s discretion).

Quadruped: While running on all fours the wolven gains a Speed of 40 feet. Wolven can shift to all fours as part of a move action, and can also stand back up in the same move action for a 5 foot cost.

Wolven Characters: 

Wolven gain the following traits if run as player characters:

Scent: see details above; grants advantage on any perception or survival skill related to smell and tracking.

Bite: wolven can bite as an attack, dealing 1D4+STR modifier damage. This is considered an unarmed attack.

Run on All Fours: the wolven are ideally suited to running on all fours, and build leather armor with slings to let them carry weapons easily and without hindrance while running. To many men, this has made wolven look like they transform into wolves, but in fact the wolven are simply adept at moving this way. While running on all fours the wolven gains a Speed of 40 feet. Wolven can shift to all fours as part of a move action, and can also stand back up in the same move action for a 5 foot cost.

Dark Vision: Wolven have dark vision and can see exceptionally well in starlight.

Attribute Bonuses: Wolven gain a +1 to Dexterity and Wisdom.

Languages: Wolven know their native tongue (vyrkashan) and one of two possible human tongues: the northern tongue (Zarnian or Autrengardian) if they dwell in the Deep North or Middle Tongue (common) if they dwell in the southern reaches of the Deep Wilderness. Wolven of other worlds know common.

Vyrkasha wolven are indigenous northern beastmen who dwell in the region known as the Northern Wilderness. In the Era of Strife the wolven are engaged in a fierce territorial battle with gnolls who seek to gain control of the vast peninsular region. The wolven are strong but hampered by being divided over seven tribes. Still, the tribes often work together against the demon-worshipping gnolls.

Wolven structure their tribes around a chieftain, and usually among every 10-15 chieftains a warlord will arise who serves to coordinate and protect the tribes and families in his domain of control. There are currently seven “kingdoms” in the northern Wilderness.

Wolven regard the deity Wolfon as their creator deity, but they also pay reverent dedication to the Emerald Queen, a great Dragon which dwells in the Emerald Green of the deep north, and is believed by some to be the Brood Mother of all dragons. Others say the Emerald Queen is favored daughter of ancient Hazyk, who dwells in the Domain of his own name, and is believed to be a ten-thousand year old direct son of Tiamat.

Vyrkasha priests of Wolfon tend to be cleric/rangers while those who serve the Emerald Queen are usually druids. Most adventuring wolven are known to be barbarians and rangers. A few wolven bards exist, calling themselves skalds as the Austrengardian bards do.

The name Vyrkasha is the title wolven ascribe to their own kind, and means "the people" in their own tongue. Wolven is the title applied by the men of the north and south. 

Saturday, September 16, 2017

OHMAGERD Astonishing Swordsmen & Sorcerers 2nd Edition PDF Just Arrived

Just discovered an email with my complimentary code for the PDF of Astonishing Swordsmen & Sorcerers of Hyperborea 2nd Edition.....which means, at last, that the hard cover is not too far away!!!

Verrrry excited for this. Will definitely be running a campaign in the ASSH2E rules soon......

If you don't have it yet and want the PDF, looks like it's on sale for $12.75 right now. At 622 pages it's a steal! If you stake your corner of the OSR on AD&D 1E and Robert E. Howard's influence on gaming, then ASSH really is a must-have.

Wednesday, September 13, 2017

The OSR Survival Kit

Any fan of the OSR knows that one of the cool things about our corner of the hobby is just how portable it is. Sure, you can just load up all the PDFs you want on a tablet, but most old schoolers prefer actual books in hand....

For example, my default "OSR Pack and Go" looks like this, depending on which flavor of RPG I feel like dabbling in:

One copy of the White Box Fantastical Medieval Adventures RPG
One copy of Beasties - Manual of Monsters (or insert other preferred monster book here; I like this one because it's digest format and has very cool, illustrated monsters Night Owl Worskshop style)
A copy of the White Box Omnibus (or alternatively White Box Gothic if you're looking for that)
One or both copies of Dyson's Delves (the best OSR dungeon resource hands down)

Those five books still take up half as much space as a single core rulebook for D&D or Pathfinder.

If I'm in the SF mood, then the adjustment is obvious and easy:

One copy of White Star Core Rules
One copy of the White Star Companion
Throw in a copy of the Hyperspace Messenger Compendium
Optionally you can add Between Star & Void and Tools of the Worldshapers

And just like as above, the five books for White Star still take up less space than Starfinder Core or Traveller core. Add in some dice, a notepad and pencil and you've got yourself a game!

What sort of OSR Surival Kits do you like to drag along? I could easily see one which covers The Black Hack (the most emminently portable OSR-derived game out there), or pretty much any of the Night Owl Workshop games (which are all utterly amazing). I've got a serious preference for digest books, and if I ever saw --say, Goblinoid Games-- produce a thick and portable version of Labyrinth Lord I'd totally snag that sucker.

Monday, September 11, 2017

What Death Bat has Been Running Lately

Short post, but I just wanted to say that this year has been sufficiently taxing* due to a mix of work, family health and school issues (all the stuff I don't normally talk about on the blog!) that I have really grown to appreciate the idea of system loyalty....that fabulous notion of sticking hard and fast to just a few game systems that you grow to know extremely well. It also helps that there are so many games out there now that hit the sweet spot for me in terms of the right level of mechanical detail with the right level of prep time requirements.

Dungeons & Dragons 5E is a no-brainer here; you can spend an hour prepping and have three or four sessions' worth of material ready to go. Using stats from the rules is simple, prepping on the fly a piece of cake.

Call of Cthulhu 7E has become my de facto preferred edition of Basic Role Playing. The new mechanical contrivances, from bonus/penalty dice to the new skill approach (the normal/hard/extreme/crit ranges) are so useful and intuitive that it's hard to imagine a future edition of BRP that doesn't use this approach.

I really can't stress enough how much I like the changes in this new's been a much better overall play experience.

Traveller remains the best and easiest procedural RPG and remains un-dethroned in this capacity. The 2nd edition of Mongoose's version really has managed to hit that sweet spot for SF gaming.

Savage Worlds remains, as ever, the best pick-up-and-play anything system you could possibly ask for.

Swords & Wizardry White Box (specifically this White Box) will remain on my shelf forever as I wait patiently for a time to convince my group to go retro for a while. Likewise White Star will forever be my favorite OSR title and the best pick-up-and-play experience I've had.

My weekly games right now consist of a rotating D&D 5E campaign on Wednesday (we have one group exploring Galvonar one week, and another group exploring the Western Nakamura Isles and Mataclan the next) while on Saturdays we've been sticking exclusively to a long-running Call of Cthulhu campaign aimed at a vaguely Twin peaks vibe but 100% pure mythos in origin. We have two Traveller campaigns, one for each group, currently on hold but with plans to revisit the moment one of the active games hits a good pause.

I do dive in to new stuff when I can find time....I've enjoyed checking out FATE Core even though it remains outside my comfort zone (a bit) and I have recently been really enjoying reading the Symbaroum RPG, for example. I've even valiantly tried getting in to Starfinder although I concede that the rulebook induces fatigue and the game system itself, being Pathfinder, remains a tough sell for me to engage with does not meet the aforementioned criteria of the "right level of mechanical detail relative to prep requirements" that I need....but it is interesting.

*so bad that I still haven't had time to fire up Destiny 2 yet!!!

Sunday, September 10, 2017

Comment Moderation!

Looks like I need to turn this on....the current post has been getting spam blasted for a few days now by unsavory links. I'll try to be prompt in reviewing comments!

Wednesday, September 6, 2017

Death Bat Meanderings: Campaign ideas for Starfinder


As it turns out Destiny 2 day one patch was about 7 GB in size which meant I didn't have enough time to play it last night since it was too busy loading on the Playstation Network's notoriously slow upload rate. Sigh.

So here's a few random things!

Starfinder is pretty cool I've decided, but it took me a while to figure out how I wanted to use it. The game works well as a "fantasy D&D with the trappings of modern looking SF" but that's actually a genre that doesn't quite exist in the form Starfinder is pitching. The last time we saw anything like this it was Fantasy Flight's Dragonstar expansion for D20, and that was close to 15 years ago.

At some point I realized that if I treated Starfinder like the sequel to Spelljammer, but "far in the future" then it might start making more that end I worked up this crude premise, which I am now currently massaging in to a real campaign for future use:

Starfinder Campaign Premise:

The conquest of Pellamorda – the Star Empire of Corgastin Grace has spread throughout the Etherworlds, the region of space which has over many years grown to encompass most of what was once called Wild Space or Chaos Space. The Star Empire is dominated by a confederation of four species, including the Wysentrien Elves. The emperor is the Immortal Astrokan, undying ruler of the Etherworlds of Corgastin Grace.

Pellamorda is a nondescript world of pre-tech societies which were locked in a conflict between good and evil. Lord Vathamre, a disciple of chaos and son of demons had uncovered an ancient artifact called the Star Crystal, a device which granted immense power and insight. The device, I turns  out, was also coveted by Astrokan, and his stellar navy was sent to recover it….and in the process they laid waste to Pellamorda and enslaved the world.

Five years in to the occupation of Pellamorda, the Coalition of Independent Worlds launched a covert operation to free Pellamorda and learn if there was any way to destroy the Star Crystal….a team of elite agents were sent to explore the mysteries of how one of the Infinite Sphere’s most powerful artifacts cam to rest on a remote world of completely nondescript nature…..

Tying it to Keepers of Lingusia:

This campaign takes place in 3503 AW and Lingusia is a remote backwater world! The last time wild space was visited in Lingusia (at the heart of Chaos Space) was in roughly 2090 AW, during the Age of Strife. This early era was a period of expansionism for the arcane elves known as the Naelythians, noted for their deep blue skin. Other entities of the era vied for power in the dawn of space exploration which was driven purely by magic. It was not until events which took place between 2090 AW and the present (3503 AW, the Era of the Warlords) that any of the denizens of Lingusia would be exposed to the stellar culture of blended technology and magic which arose over the following fifteen centuries.

In this time, the Naelythian empire rose and fell and now exists as outlier colonies in the Outer Expanse of the galaxy. The development of more sophisticated FTL drives which did not require magicians as human batteries led to a dramatic shift in the power structure of the universe, and eventually the need to navigate from one system to the next via the use of the etheric crystal spheres became relic technology. As the first worlds to develop true technology ascended in to space, the power dynamic shifted, and by 2500 AW as time is reckoned in the Hyrkanian Empire the era of old wild space was a lost memory. A thousand years later the Star Empire of Corgastin Grace has risen to power, obliterating dozens of other contenders in the process. At this time, Lingusia remains a forgotten system in an obscure corner of the galaxy, but –as with Pellamorda—it is only a matter of time before Astrokan turns to it to loot the world of its ancient relics as well.

In this era, Lingusia is clearly evident as a construct world: it's immense flat plane (more closely resembling a slightly rounded object like a glass token) is evidence of immense construction by cosmic beings capable of constructing whole worlds, and is key to the mystery in its origins as to who built it and why. When scholars of the Empire or the Coalition at last take notice, then it may indeed pose a grave threat if they learn of the true nature of the "planet" as the prison-construct housing a dozen primordial cosmic entities called the Skaeddrath.

By this era, the old gods of Lingusia have gone through a period of cosmic transformation, becoming far less like the humanoids they created and populated the planet with. The enigma of this transformation is part of the mystery, for to some it seems that the gods themselves are becoming not unlike the Skaeddrath they were once jailers to. Should the Empire seek to conquer Lingusia, it may have an unexpected fight on its hands...

Anyway, by doing it this way I manage to keep continuity with what has come before in the campaign and also place it contextually in the lengthy documented history of my most venerable setting (Lingusia), in a timeline that won't even remotely interfere with the ongoing fantasy campaigns set in the 2090s while at the same time getting a chance to revisit, potentially, the Warlords Era of the 3500s.

Ironically it's not actually "out of canon" for me to do this. Technically my first weird Science Fantasy games in Lingusia took place in 1984-1985ish when I ran a series of games in which the intrepid adventurers of the time (including my sister's rogue Wormi) were dealing with space raiders from at least five hundred years in the future, coming to Lingusia from a time when high tech spaceships were normal. It was never clearly established if the future of Lingusia included SF trappings when I ran that campaign but it was clear they were aliens who wanted to harvest the past for their diabolical interests. One of the byproducts of that campaign was the implication that doppelganers were actually aliens trapped on Lingusia (a nod to my appreciation for the shapeshifting wraiths of the Rom comic). I'd later also work out that the mind flayers (hyshkorrid) were very much in the same boat, aliens trapped on Lingusia (by design or accident has never been revealed). 

When Spelljammer came out I loved the concept but had to assume that the campaign I had run years earlier was either an anomaly, or some weird timeline, or that it was just a mystery to be resolved at a future date. I now feel kind of like maybe, perhaps, Starfinder provides a great way to revisit that conceptual space and also expand upon it, as well as providing some "closure" to the mystery of the relic-stealing future space pirates from that particular campaign!  

Saturday, September 2, 2017

Thursday, August 31, 2017

Looking Deeper in to FATE Core

As I have continued to absorb FATE Core I actually think I might have reached critical mass, that point at which I feel I have studied the rules and understand the underlying concepts well enough for me to tackle running the system. This is hard to do with FATE, a game system that eschews most of what I take for granted in how an RPG works. That said, I feel I genuinely grokk the four-part action economy of the system, the notion of aspects with their invokes and compels, the very important Fate Point economy and why it works like it does, and I've even been satisfied to see that the quasi-myth of FATE as the game where no one dies unless they decide it's good for their story has been dispelled; FATE Core offers up advice on different approaches to this question, but ultimately it both provides the most compelling framework for situations in which death is inescapable even as it suggests that allowing for more options than death is more important to the coherence of the story being told.

I've grabbed about all of the FATE Core supplements and can safely say that the many different worlds that Evil Hat has compiled for the game run from the incredibly useful (Venture City Source book, worth it for the great superpowers rules, or FATE Freeport which is essentially "D&D adapted to FATE")  to the interesting but very much mixed bags that are the various Evil Hat published "Worlds..." series, such as Worlds on Fire, each of which contains at least four distinct and often very different settings using FATE Core. Then there's the Setting Toolkit and the Adversary Toolkit, both of which contain lots of useful content though I have refrained from getting too involved there until I properly absorb the core rules.

So now the question is: what setting to create, and how? As a GM who lives for setting design I am not precisely the target demographic for FATE Core, which feels to me more like it is aimed at GMs who find setting design tedious and want to farm it out to the players....or RPGers who come from a different experiential angle to gaming (the Indie gaming side) in which there was no preconception about world design as a GM art/process, allowing them to relinquish control of that part of the experience to turn it in to a collaborative effort with the players.

I am not 100% sure I can totally do that, or that the players necessarily want to do that.....but I may consider trying it out anyway so I can experience FATE Core as intended. It does seem to me to require a strong level of improv, and possibly an ability to do improv by riffing off of someone else's ideas. Maybe I'll just find a pre-published FATE world I like and run with that.

I also thought about using an existing setting, such as Lingusia, and enjoying the results. It's a world my core gaming group is familiar enough with to riff off of within the constraints of the existing setting, it support the sort of character-focused story-driven game play FATE Core is known for with minimal or no effort (I propose that running 13th Age is not unlike running FATE Core in terms of the story focus experience, just with more math and numbers) and it's familiar turf, which means teaching how to work aspects, skills and stunts will be easier.

If I use it for my Ages of Lingusia campaign then I'd need to work out a definition of core schools of magic, and decide if equipment will have any additional effect as extras. Given how fluid FATE is in its resolution of effects I feel like for the first game de-emphasizing equipment is a better idea; this is a system where what you're fighting with or using is far less relevant than how you are using it and how it relates to the story, so going hardcore into the "equipment as trappings of your description" feels like a better way to emphasize the unique differences of the system.

I'm currently hip deep in an ongoing Call of Cthulhu campaign and my regular D&D 5E sessions (with Traveller on hold but returning soon) so I don't have a lot of room now, but maybe in a month or two I'll propose a 3-5 session FATE Core experience for the group. When this happens I'll be sure to post the results....!

Wednesday, August 30, 2017

Ages of Lingusia: Smaller Polities in Northern Octzel (in the Age of Strife)

And a number of smaller locations with some adventure seeds....

Smaller Polities in Northern Octzel (ca. 2092 AW, Age of Strife)


This roadside town is a famous pitstop for overland caravans and travelers looking for a break from the harrying experience of traveling across the Great Divide in the Loroden Mountains to the south. Stetson is the location of an enclave of Wardens of Halale, and is noted for having a vast, ancient ruin just south of the town which dates back to the ancient days of the Halic people who occupied the land before Hyrkanian occupation drove them to extinction. Stories of ghosts haunting these ancient ruins are mostly unfounded, but it is noted by some that necromancers and cultists to the chaos gods have on several occasions seen fit to enact ancient rituals of sacrifice at the hangman’s tree along the road which marks the path to the ruins. The last such event led to an all-out purge by the wardens who spent weeks hunting down cultists to the serpent god Lazar. Prior to that, rumors of arcane rituals committed by members of the Black Society from the capitol have led more than one scholar to conclude that there must be something really, really interesting about that ancient tree.

Adventure Seed in Stetson:

The Dead Tree: few truly understand why the dead tree is so important to the strange cults that lurk in the region. The scholar Idominus Vetheren of the Capitol would like to know, and will mount an expedition to investigate both the tree and the ruins, with the blessing of Stetson’s wardens. Little does he know that the tree itself is tainted with the blood of something terribly ancient and evil buried beneath the land, from which the roots of the tree have drawn the black blood of chaos for many an age. The lost Halic City of Kharamos was destroyed twelve hundred years ago by this ancient evil, in the name of the old Octzellan king Donn-Dadera, who sought to wipe the Halics off the face of the earth…


The town of Diom is mostly regarded for its famous Tall Tales Inn, where merchants and nobles often travel to enjoy some time in the country. It caters to a generally more opulent crowd, but the Inn itself earns its name from the many professional bards and their tales of derring-do that make much of the tavern portion of the inn so entertaining. The tavern is believed to have been more of a shanty in the past founded by the Ederlon Family, but earned a reputation when the Empress Phyxillus Usyllyses and her traveling companions frequented the tavern a century ago, regaling its denizens with tales of their adventures at a time before the Empress had ascended to rule the Empire. The inn’s current proprietor is Kiriney Lesean-Denera, a woman of aristocratic demeanor who is single and portends to be of elven blood (though she in fact an aasimar of indeterminate age).

Adventure Seed in Diom:

The Bounty and the Bard: the sylenic bard Chops Madur has come to play at Diom, but last night in a bout of intense revelry he was kidnapped by unknowns! Was he taken by the amorous noble woman Verithra Elas Tetra, who fell in love with his voice? Or was he kidnapped by local brigands who plan to ransom him for money? Or did he wander off and get snagged by local orcs or goblins, who happen to find sylenic halflings a delicacy?


Indor is a rough fishing port and crafting town, and has little identity outside of its place as a town of tradesmen and artisans who engage in business too stinky, dangerous or uncomfortable for city life. Regular barges take goods too and from the city every day, and the fields around Indor are constantly being worked to meet the harvest needs of the Capitol.

Adventure seed in Indor:

Coastal Pirates: a group of self-proclaimed pirates have begun harassing barges moving to and from the Capitol, but they are using a sleek three-master schooner which is alarmingly fast and agile. The pirate captain call shimself Shandro Ward, and a bounty has been placed on his head to stop the onslaught of piracy.


Smalton grew over the last century from a lone village that had at one time been a sequestered getaway for Octzellan nobles to a more robust township, specializing in some renowned vineyards. The original founder of the town, Orlus Smalton, eventually went on to forge a large family, which grew to the several hunded people the town represents today. It is a remarkably quiet location other than the wealth that pours in from decadent nobles of the Capitol seeking respite from the “rough life of the city.”

Adventure seed in Smalton:

The King is Coming: the King of Octzel has decided at long last it is time to visit this luxurious resort called Smalton! The procession is immense, the opportunities vast, and the mayor of Smalton, Orlus III, needs mercenaries willing to scour the area to make sure there are no threats from bandits, orcs, goblins or cultists to make the King’s visit perfect.


This small town provides much of the agricultural output to sustain Urlu, and is also in the middle of the Western Woodlands, which are variously claimed at times by the orcish Warlord Faragor, who has ruled from his Iron City in the Under Realms for a decade now, and at other times by the Khitteck Spider Queen Ikiriot, who preys on human and elf alike in the region. Adin is also close to the elven home of the Sylveinurien village Woodhome, or Syliedurias, which no humans save a few wardens have ever visited.

Adventure Seed in Adin:

The Demon: Allu Dias is an ancient glabrezu demon that was summoned forth by the orc shaman Morgados, to harry and destroy Adin. In a mishap, Morgados was slain, his spirit and body taken possession of by Allu Dias, who now walks as the shaman and seeks to manipulate the warlord Faragor into not merely razing Adin, but Urlu beyond…

Monday, August 28, 2017

Movie Review: Infini - or "What Solaris would have been like, with more machine guns and screaming"

This movie would never have been on my radar if Hastings hadn't folded last year. While grabbing random movies for 70-90% off I happened to land a copy of Infini. I'd seen this movie before, but buying it for anything less than a pittance seemed like a bad idea. It had the stink of a SyFy special all over it just from looking at the box cover.

Well, I was half right. It might not be a SyFy special, but it does have the stinky resonance of a direct-to-cable production, with the caveat that clearly the people behind the film really wanted to capture the essence of the "Dead Space" genre of film and games, but without stepping too deeply into the obvious tropes. The end result reminds me of one of the countless science fiction tales you find in the middle of any number of random novel collections: a weird work, which feels like an idea half-formed, or maybe fully-realized but without enough character or depth to cover much more distance than a short work of fiction could handle.

It also kind of reminds me of the nearly infinite spew of self-published novels on Amazon's Kindle; you know the ones, with great cover blurbs mentioning all the bells and whistles ("space marine," "alien virus," "haunted space station," "everyone's gone mad in a totally-not-like-the-reavers kind of way," etc.) and the first volume is free.

But this is a film.....and it does exist. So is it worth it? In a nutshell: if you saw it on Netflix and you were really bored, I wouldn't say you had to skip it.

Generic space marine Whit Carmicahel (Daniel MacPherson) is on his first day on the job working for a special forces group that uses advanced teleportation to travel across the galaxy protecting corporate interests in the 23rd century. Apparently this is a high risk technology and you can suffer a mental breakdown when you teleport, but despite the lead text warning us about stuff like this the real problem has nothing to do with teleporting and everything to do with a distant mining facility (Infini station) at the edge of the galaxy, where things have gone to hell in a handbasket.

The exact timing on all of this isn't that important: when the spec ops guys get teleported, when the mining base went rogue, when it really had problems, when the second spec ops team goes, all of this is sort of "there" as fill to the story of a bunch of spec ops space marines trapped on a haunted space station where a virus turns you in to reavers.

Of course it's an alien virus, and actually it's an alien organism which covers the planet. Because it is briefly mentioned as "flammable" it was suggested it was a great fuel source, but that doesn't seem to come in to play in the story later on (thankfully) other than as a one-off to explain why it was being mined, almost like the writers suddenly realized that the idea was kind of stupid, so someone thought two stupids made a smart or something.

I digress though. Okay so Whit (W.C.) is about to get sent to this place when something bad happens....other spec ops teams return and they appear to be quite mad. Right before the entire facility goes on lockdown and gasses everyone his commander gets him teleported. Cut to a week later, and another facility is dressing down a crew of seven spec ops dudes who are all going to investigate the haunted space station, which is apparently something that happened a while ago but it's never entirely clear to me as to the immediate urgency at that moment that they send live humans to the station.

The second crew is informed they need to recover W.C. for reasons that are flimsier than my D&D group explaining why they met the new guy to conveniently replace the old guy who got eaten in the middle of the dungeon. They are also supposed to lock down the station and confirm payload or something along those lines but it sort of becomes more or less irrelevant very quickly. They arrive at the station, we have a few minutes of smart protocol in which they keep their helmets on, don't touch things they shouldn't (or get stopped by someone) and then they meet W.C. who's been hiding in a locked down corner of the facility for a week due to "time dilation" and how it relates to whatever their teleportation is.

Just when it looks like everything's on track for a smart mission complete and extraction, they take off their helmets, let down their guard and help W.C. get things up and running, all while averting a possible overload or something. Then  a couple maddened miners attack from out of nowhere, and in the ensuing carnage everyone becomes infected with a reaver virus due to exposure to blood.

Most of the rest of the movie proceeds to play out like a mix of Bioshock Splicers preying on one another while W.C. tries to figure out what's happening, something he apparently didn't bother to do for the week he was here previously, but now is worried about since he's also apparently infected with the virus (just very, very slowly). He quickly pieces together that the stuff they mine on the planet is a mimic organism which can replicated human tissue...possibly even whole bodies....precisely. This is underplayed (no one starts assuming others are "replicated" because they are all going crazy right now anyway) but becomes relevant later.

The second half of the movie is mostly actors who didn't get a lot of establishment on camera to make you care about them descend into violent madness. It's not at least know who they are (nutjob spec ops people who take their helmets off for any old reason) but their mutual efforts at destruction seem awfully played out for very little payoff.

In the, spoiler alert.....W.C. is left all alone, plagued by the virus, but with enough wits to record a speech to the organism that comprises the entire crust of the planet and explains to it that in messing with people it went for the worst elements of them, and it should feel bad. The organism then creeps out, heals and revives everyone (including at least one guy I thought was completely eviscerated) and the crew for a few moments act like they are either: A. pod people feigning memory loss, or B. the actual crewmen suffering actual memory loss of their deaths. They then beam back to base and everything ends on a shockingly upbeat note.

Indeed, the "shockingly upbeat note" might be the most surprising thing about this movie which otherwise felt like it was pulled from a mosh pit in which Dead Space, Solaris and Event Horizon were all duking it out while The Thing dipped its toes in for a second or two.

It wasn't horrible. It just was very, very basic and it really needed a rewrite on the screenplay. Badly. To the credit of the many actors who I barely recognized or didn't know at all, they were all pretty good at evoking the basic elements of their characters. I don't remember anyone's names, but they each nailed their "TV plot archetype" assignment fairly well.

I give it a solid C average.

"Well it's been 8 minutes and no one's violated quarantine protocol, time to shed these helmets."

Five fun bits about Infini:

1. Even when they are showing good protocol, not touching things or taking off their helmets, the spec ops space marines still take their helmets off.

2. It is important to ask why any live humans get sent with this teleporter tech if they could just send drones. (Answer: not in the budget, and for my case I refer to that scene where the one guy holds a drone in his hand that looks like the ones from Prometheus but it does nothing but flash).

3. If the sentient world goo could understand W.C.'s final rantings and ravings then the question arises: why couldn't it understand anyone else, at any point? How did it take his little speech to convey this message to the alien goo? And Why did it care?

4. I was really bothered by the fact that none of the guns appeared to have scopes or even iron sights. What the hell??? How do you aim with those things?

5. The space goo, in the moments when we did see it, was actually a pretty cool effect.